September 27, 2010

When Worlds Collide - Premiering Tonight on PBS


Boy, I sure don't feel like celebrating Columbus Day this year (not that I ever have; how does one do so anyway?). In fact, after seeing When Worlds Collide: The Untold Story of the Americas After Columbus, I almost feel like joining the movement against formal recognition of the holiday. This is not the film's purpose, but it's difficult to objectively consider the ramifications of Columbus' invasion (not quite a discovery) of the Americas when you learn about the millions of indigenous people who were killed and enslaved for "God" and the Spanish crown.

Narrated by author and journalist Ruben Martinez, the film richly chronicles the history of Latin America in a series of chapters that outline how the clash of European and American cultures influenced generations of mestizos up to the present day. It is indeed an "untold story", and as Martinez explains at the end of the film, the global community should by now be ready to discuss the history of this part of the world and the tragic consequences of the Spanish conquest.


It is perhaps an uncomfortable reality to acknowledge, but this historical perspective is vital for understanding ethnic identities and international relations in 2010. You might never look at Spain the same way again (or really any country that based its economy and empire on the exploitation and enslavement of Indigenous Americans), but then the best documentaries are the ones that open the eyes of viewers to new realities.

Indeed, although When Worlds Collide has its flaws (and I found Martinez' narration rather awkwardly staged throughout), a wide-ranging documentary like this is inherently limited by the scope allowed in 90 minutes of airtime. What it should do, and what it succeeds in doing, is planting a seed of interest in the minds of viewers and encouraging them to continue their own discovery and dialogue afterward. The film's website is particularly user-friendly (I like this Old World vs. New World timeline), and I really hope educators take advantage of the downloadable lesson plans, because this is the kind of material that is inexcusably absent from American classrooms - especially those that include Columbus Day on the chalkboard calendar.


When Worlds Collide premieres tonight, Sept. 27, on PBS
Click here for local listings and future air dates

September 22, 2010

300 Words About: I'm Still Here


Last week, before Casey Affleck inexplicably broke his silence about I'm Still Here being a mostly scripted hoax, I told a friend of mine how great it would be if Joaquin Phoenix walked out onto the stage of "The Late Show with David Letterman" tonight with a clean-shaven face and a normal personality. What a perfect "Gotcha!" opportunity it would have been.

Alas, his appearance will now be an anticlimactic reunion in which he will no doubt apologize to Letterman and probably fail to explain exactly what I'm Still Here is "about". From where I sit, having seen it a couple of weeks ago and immediately recognizing a number of things that just could not be real, I don't think there is anything to explain. Either you consider I'm Still Here a brilliant skewering of Hollywood celebrity culture (featuring a Best Actor-nominee worthy performance; the best of Phoenix's career), or you consider I'm Still Here just plain offensive, a joke on the movie industry and a waste of everyone's time. Much of your reaction may depend on whether you saw it before or after the cat was officially out of the bag - but if you have seen it, wasn't it pretty obvious while watching that Casey Affleck was documenting a manufactured reality?


September 19, 2010

Bad Will Hunting

We haven't seen a Boston foursome like this since 1997

The Town is surprisingly watchable, with a confident sense of place and no illusions about what it is (tense but forgettable) and what it isn't (moving or believable). I had no clue what it was about when I walked in, but I was expecting a melodramatic thriller like Gone Baby Gone, not a tightly wound cop vs. robber flick. The action sequences and set pieces were a major highlight, and the Boston accents were thankfully kept under control (other than Pete Postlethwaite's rogue brogue). And despite some truly horrendous dramatic dialogue between Ben Affleck and Rebecca Hall, the movie kept a brisk pace, rarely allowing your attention to focus on how preposterous the relationships and characters were.

So for the most part I liked it, and I've now tolerated Ben Affleck in three straight movies (The Town after Extract and State of Play), which hasn't happened in well over a decade. And speaking of those early Affleck years, there was something altogether too familiar about The Town, wasn't there? Not just because the last minute was reminiscent of The Shawshank Redemption, and not because Affleck's performance was recycled from Armageddon and Paycheck, but because, well...

September 17, 2010

Fall Film Festobonanza, Part 5: 20 Years of Milestone Films @ the Trylon & Macalester Film Series on Global Justice

Killer of Sheep & The Bicycle Thief

What: Milestone’s 20th: Two Decades of Enduring Artistry
Where: Trylon Microcinema
When: Oct 1 - 31

What: Macalester Alumni Fall 2010 Film Series: "Global Justice"
Where: John B. Davis Lecture Hall (JBD), Ruth Stricker Dayton Campus Center
When: September 22 - November 10

Just when I thought the programming at the Trylon microcinema couldn't get more varied (past series have featured Cronenberg, Spielberg, Godard, and Harryhausen, to name a few), along comes a true mixed bag of classic films: Milestone’s 20th: Two Decades of Enduring Artistry.

Fall Film Festobonanza, Part 4: Twin Cities Black Film Festival, MPLS Project, & Shamrock Film Festival


What: 8th Annual Twin Cities Black Film Festival
Where: TBA
When: October 15 - 17

What: The Minneapolis Project
Where: The Riverview
When: September 30

What: Shamrock Film Festival
Where: Rosemount
When: October 7 - 9

Even more local movie happenings, as follows:

Fall Film Festobonanza, Part 3: Sound Unseen 11

The films of Sound Unseen 11

What: 11th Sound Unseen "Films on Music" Festival
Where: Southern Theater, Trylon microcinema, Red Stag Supper Club, Minneapolis
When: October 6 - 10

Last year's Sound Unseen festival featured some really outstanding films, including P-Star Rising, We Live in Public, and one of my favorites of the entire year, Guy and Madeline on a Park Bench (which I believe is scheduled for a limited late fall theatrical release). Sound Unseen programs numerous films on music throughout the year, but their annual festival always features high-profile films that otherwise would not get screened in the Twin Cities. It's a cozy little festival, too, with screenings at the Trylon (50 seats) and, this year, the Southern Theater on the West Bank. Here's the official release:

Fall Film Festobonanza, Part 2: Twin Cities Film Fest


What: 1st Annual Twin Cities Film Festival
Where: Block E & Mall of America
When: September 28 - October 2

I'm not sure why, and I'm not sure how, but a second citywide international film festival has arrived in the Twin Cities:

Related Posts with Thumbnails